- SOLO EXHIBITIONS: Catalogues
and Related Publications
- Snauwaert, Dirk (ed.). Über Peter Friedl. Brussels/Berlin:
WIELS/Motto Books, 2013. Texts by Mieke Bal, Roger M. Buergel, Jean-François
Chevrier, Norman M. Klein, Bartomeu Marí, Maria Muhle, Eva Schmidt, Marco
Scotini, Dirk Snauwaert, Hilde Van Gelder, and Leire Vergara.
- Playgrounds. Göttingen: Steidl, 2008. Text by Jean-François Chevrier
- Peter Friedl: Travail 1964–2006. Arles: Éditions Analogues, 2007. Catalogue
(French edition), texts by Mieke Bal, Roger M. Buergel, Peter Friedl, Norman M.
Klein, Bartomeu Marí, and Jean-Pierre Rehm.
- Working at Copan / Trabalhando no Copan. Berlin: Sternberg Press, 2007.
- Playgrounds. São Paulo: Exo experimental.org, 2006. Folded poster.
- Theory of
Justice. Barcelona: Museu d’Art
Contemporani de Barcelona, 2006.
- Peter Friedl: Work 1964–2006. Barcelona: Museu d’Art Contemporani de
Barcelona, 2006. Catalogue (English edition), texts by Mieke Bal, Roger M.
Buergel, Peter Friedl, Norman M. Klein, Bartomeu Marí, and Jean-Pierre Rehm.
- Peter Friedl: Obra 1964–2006. Barcelona: Museu d’Art Contemporani de
Barcelona, 2006. Catalogue (Spanish edition), texts by Mieke Bal, Roger M.
Buergel, Peter Friedl, Norman M. Klein, Bartomeu Marí, and Jean-Pierre Rehm.
- OUT OF THE SHADOWS: WHAT IS WRITTEN CANNOT BE
UNWRITTEN. Seville: 2nd
International Biennial of Contemporary Art, 2006. Exhibition folder.
- Peter Friedl. São Paulo: Exo experimental org., 2005. Announcement, text by Roger M.
Buergel.
- OUT OF THE SHADOWS. Rotterdam: Witte de With, center for
contemporary art, 2004. Exhibition folder.
- Four or Five Roses. New York: Lukas & Sternberg, Inc., 2004.
- La Malédiction de l’iguane: du genre et du
pouvoir; King Kong en Triomf.
Institut d’art contemporain, Villeurbanne 2002. Brochure, includes two texts by
Peter Friedl.
- Peter Friedl: domestic. Landesgalerie am Oberösterreichischen Landesmuseum,
Linz. Vienna: Triton, 2002. Catalogue, texts by Tulga Beyerle, Gerrit Gohlke,
Bartomeu Marí, and Raimar Stange.
- Peter Friedl. Casino Luxembourg–Forum d’art contemporain, Luxembourg; Gesellschaft für
Aktuelle Kunst, Bremen; Institute for Contemporary Art, Cape Town. Frankfurt am
Main: Revolver–Archiv für Aktuelle Kunst, 2001. Catalogue, texts by Roger M.
Buergel, Peter Friedl, Alison Gingeras, Enrico Lunghi, Thomas Mulcaire, and Eva
Schmidt.
- Kromme Elleboog. Rotterdam: Witte de With, center for contemporary
art, 2001. Foreword by Bartomeu Marí
- Buergel, Roger M. Peter Friedl.
Dresden: Verlag der Kunst, 1999.
- La Bohème. Berlin: Kunstraum Mitte, 1997. Exhibition poster.
- Peter Friedl, Gillian Wearing, Lawrence Weiner:
City Projects Prague.
Prague/London: The British Council Window Gallery, 1996. Catalogue, text by
Peter Friedl and Stefan Germer.
- Peter Friedl. Berlin: Künstlerhaus Bethanien, 1996. Text by Philip Ursprung.
- Peter Friedl presents Frack. W139 Amsterdam, Künstlerhaus Bethanien Berlin.
Vienna: Triton, 1996. Texts by Marius Babias, Peter Friedl, Stefan Germer,
Tyyne Claudia Pollmann, Theo Tegelaers, Philip Ursprung, Vitus H. Weh, Olav
Westphalen, and Heimo Zobernig.
- Hotel Mama. Vienna: Kunstraum Wien, 1995. CD and booklet.
- Peter Friedl. Prague: Academy of Fine Arts, 1995. Catalogue, texts by Peter Friedl,
Christian Kravagna, Martin Prinzhorn, and Vladimir Skrepl.
- T.I.P. Linz: Galerie im Stifterhaus, 1994. Catalogue.
- Peter Friedl. Milano: Art Studio Edizioni, 1993. Text by Georg Schöllhammer.
- Peter Friedl. Milano: Art Studio Edizioni, 1993. Catalogue, texts by Peter Friedl,
Herbert Hrachovec, and Giorgio Verzotti.
- Rebuild. Steyr: Galerie Pohlhammer, 1992. Catalogue, interview with Peter Friedl
by Martin Karasek.
- Peter Friedl. Vienna: Christine König Galerie, 1990. Catalogue, Interview with Peter
Friedl by Isi Siever.
- Peter Friedl. Graz: Galerie Bleich-Rossi, 1988. Catalogue, texts by Peter Friedl and
Johannes Gachnang.
- Samarkand. Graz: Galerie Bleich-Rossi, 1988. Catalogue, text by Peter Friedl.
- SELECTED GROUP EXHIBITIONS:
Catalogues and Books
- Latimer, Quinn, and Adam Szymczyk (eds.). Documenta 14: Daybook, Munich: Prestel, 2017. Text by Hilde Van
Gelder.
- Taipei Biennial 2016: Gestures and archives of the
present, genealogies of the future. Taipei: Taipei Fine Arts Museum, 2016. Guidebook.
- Stange, Raimar, and Marianne Zamecznik (eds.). To bee or not to be. Moss: Punkt ø/Galleri F 15, 2016. Catalogue.
- Stange, Raimar (ed.). Global –
Mobilität und Kunst. Berlin: Reisebüro Global, 2016. Catalogue.
- Scotini, Marco. Artecrazia: Macchine
espositive e governo dei pubblici. Roma: Derive Approdi, 2016.
- La Biennale di Venezia: 56th International Art
Exhibition, All the World’s Futures. Venice: Marsilio Editori, 2015. Catalogue.
- La Biennale di Venezia: 56th International Art
Exhibition, All the World’s Futures. Venice: Marsilio Editori, 2015. Short guide, text by Tim Roerig.
- Chevrier, Jean-François. Formes
biographiques. Carré d’Art–Musée d’art comtemporain de Nîmes, Nîmes. Paris:
Éditions Hazan, 2015.
- Könches, Barbara (ed). 25/25/25. Cologne:
Verlag der Buchhandlung Walther König, 2015.
- Katerina Koskina (ed.). 5th
Thessaloniki Biennale of Contemporary Art. Thessaloniki: State Museum of
Contemporary Art, 2015. Catalogue, text by Katerina Gregos.
- Gourvennec Ogor, Didier, and Gregory Lang (eds.). Artistes et Architecture: Dimensions variables / Artists and
Architecture: Variable Dimensions. Paris: Éditions du Pavillon de
l’Arsenal, 2015. Catalogue.
- Arozqueta, Claudia. In response to
the exhibition: Peter Friedl “The Dramatist” at Artspace, March–April 2014.
Auckland: Artspace, 2014.
- Borja, Villel, Manuel, Teresa Velázquez, and Tamara Díaz Bringas (eds.). Playgrounds: Reinventing the Square. Madrid:
Museo Nacional Centro de Arte Reina Sofia, 2014.
- Herbst: Theorie zur Praxis. Graz: steirischer herbst festival, 2014, pp.
62–73.
- Out of the Blue: A Sense of Public-mindedness. The 10th International Exhibition Muslim Mulliqi
Prize. Prishtina: National Gallery of Kosovo, 2014. Exhibition guide.
- Collicelli Cagol, Stefano, and Luigi Fassi (eds.). Forms of Distancing: Repräsentative Politik und die Politik der
Repräsentation. Graz/Milan: Mousse Publishing/steirischer herbst, 2014.
Catalogue.
- Collicelli Cagol, Stefano, and Luigi Fassi (eds.). Forms of Distancing: Representative Politics and the Politics of
Representation. Graz/Milan: Mousse Publishing/steirischer herbst, 2014.
Catalogue.
- Blue Times. Wien: Kunsthalle Wien, 2014. Exhibition booklet.
- Merz, Marisa, and Marianna Vecellio (eds.). Intenzione manifesta: Il disegno in tutte le sue forme / Manifest
Intention: Drawing in all its forms. Castello di Rivoli, Museo d’Arte
Contemporanea, Turin. Mantua: Corraini Edizioni, 2014.
- Dexter, Emma, and Walter Vanhaerents (eds.). Man in the Mirror: Vanhaerents Art Collection. Tielt: Lannoo,
2014. Catalogue. Text by Björn Scherlippens.
- Franke, Anselm (ed.). Social Factory:
10th Shanghai Biennale. Shanghai: Power Station of Art, 2014. Catalogue.
- Lim, Dennis, and Ismail Al Rifai (eds.). Mirage City Cinema: Sharjah Biennial 11, Film Programme. Sharjah
Art Foundation, 2013. Catalogue.
- Sharp, Jasper (ed.). Österreich und
die Biennale / Austria and the Venice Biennial 1895–2013. Nürnberg: Verlag
für moderne Kunst, 2013.
- Pirenne, Raphaël, and Alexander Streitberger (eds.). Heterogeneous Objects: Intermedia and Photography after Modernism.
Leuven: Leuven University Press, 2013. Text by Hilde Van Gelder.
- Sokołowska, Joanna, and Jarosław Lubiak (eds.). Niewczesne Historie / Untimely Stories. Łodz: Muzeum Sztuki, 2012.
Catalogue.
- Franke, Anselm (ed.). Modern
Monsters/Death and Life of Fiction: Taipei Biennial 2012. Taipei: Taipei
Fine Arts Museum, 2012. Catalogue.
- Husslein-Arco, Agnes, Harald Krejci, and Bettina Steinbrügge (eds.). Utopie Gesamtkunstwerk. 21er Haus,
Vienna. Cologne: Verlag der Buchhandlung Walther König, 2012. Catalogue, text
by Anselm Franke.
- Enwezor, Okwui (ed.). Intense
Proximity: An Anthology of the Near and the Far. Paris: Centre national des
arts plastiques Tour Atlantique, Éditions Artlys, 2012.
- Enwezor, Okwui (ed.). La Triennale
2012, Intense Proximity: Guide de l’Exposition / Exhibition Guide. Paris:
Centre national des arts plastiques Tour Atlantique, Éditions Artlys, 2012.
- Cordonnier, Sarah. Les sciences
humaines dans le centre d’art. Cachan: Éditions Lavoisier, 2012.
- Sokołowska, Joanna, and Jarosław Lubiak (eds.). Niewczesne Historie / Untimely Stories. Łodz: Muzeum Sztuki, 2012.
Catalogue.
- Franke, Anselm (ed.). Modern
Monsters/Death and Life of Fiction: Taipei Biennial 2012. Taipei: Taipei
Fine Arts Museum, 2012. Catalogue.
- Chevrier, Jean-François. Des territoires.
Paris: L’Arachnéen, 2011.
- Bogner, Peter, and Martin Fritz (eds.). Beziehungsarbeit:
Kunst und Institution. Künstlerhaus k/haus, Vienna. Vienna: Schleebrügge,
2011. Catalogue.
- Diserens, Corinne (ed.). Appropriated
Landscapes: Contemporary African Photography from The Walther Collection.
The Walther Collection, Neu-Ulm. Göttingen: Steidl, 2011. Catalogue, texts by
Corinne Diserens, Peter Friedl, Bronwyn Law-Viljoen, and Artur Walther.
- Collector: Œuvres du Centre national des arts
plastiques. Paris: Skira
Flammarion, 2011. Catalogue, texts by Leslie Compan and Sébastien Faucon.
- Wenzel, Anna-Lena.
Grenzüberschreitungen in der Gegenwartskunst: Ästhetische und philosophische
Positionen. Bielefeld: Transkript, 2011.
- Power to the People: Contemporary Conceptualism
and the Object in Art. Melbourne:
Australian Centre for Contemporary Art, 2011. Catalogue, text by Hannah
Mathews.
- Smith, Jason E., and Annette Weisser (eds.). Everything is in Everything: Jacques Rancière, Between Intellectual
Emancipation and Aesthetic Education. Pasadena: Art Center Graduate Press,
2011.
- Die Sammlung in Aktion: Mediale Werke von Vito
Acconci bis Simon Starling / La collezione attiva: Opere mediali da Vito
Acconci a Simon Starling / The Collection in Action: Media works from Vito
Acconci to Simon Starling.
Bolzano: Museion, 2011. Catalogue, texts by Frida Carazzato, Angelika Nollert,
Bernhard Serexhe, and Letizia Ragaglia.
- Bonnet, Vincent, and David Bouvard (eds.). Fondcommun, numéro zéro un, Marseille 2010, p. 18.
- Untitled (Ohne Titel). RealismusStudio. Berlin: Neue Gesellschaft für
Bildende Kunst, 2010. Catalogue, texts by Edda Kapsch, Christin Lahr, Tobias
Vogt, and Lena Ziese.
- Vanhaerents, Walter (ed.). Disorder
in the House: Vanhaerents Art Collection. Tielt: Lannoo, 2010.
- Schilcher, Ralph (ed.). Kunst ohne
Unikat: Folge 1. Graz: Artelier Collection, 2010.
- MAN SON 1969: Vom Schrecken der Situation. Hamburg: Hamburger Kunsthalle, 2009. Catalogue.
- Jansen, Gregor, and Thomas Thiel (eds.). Vertrautes Terrain: Aktuelle Kunst in & über Deutschland /
Contemporary Art in & about Germany. ZKM, Museum für Neue Kunst,
Karlsruhe. Heidelberg: Kehrer, 2009.
- Danon, Eyal, and Galit Eilat (eds.). Liminal
Spaces. Holon: The Center for Digital Art, 2009.
- The Symbolic Efficiency of the Frame. Tirana: Tirana International Contemporary Art
Biennial, 2009.
- Esche, Charles, Kerstin Niemann, and Stephanie Smith (eds.). Heartland. Chicago/Eindhoven: Smart
Museum of Art, University of Chicago, Van Abbemuseum, 2009. Catalogue.
- Spickernagel, Ellen. “Von Qalqiliyah nach Kassel: Peter Friedls Giraffe auf
der Documenta XII.” Frohne, Ursula, and Jutta Held (eds.). Kunst und Politik: Jahrbuch der Guernica-Gesellschaft. Bd. 9, 2007.
Göttingen: V & R Unipress, 2008.
- Micro-narratives: tentation des petites réalités. Musée d’Art Moderne, Saint-Etienne. Milano:
Skira, 2008. Text by Roger M. Buergel.
- Peripheral vision & collective body. Bolzano: Museion, 2008.
- Moser, Heinz. “Ästhetik und Bildung im Zeitalter von Multimedia.” Seipold,
Judith (ed.), Media Art Culture:
Medienkultur mit Blick auf die documenta 12 / Media Culture with reference to
documenta 12. Kassel: University Press, 2008.
- Jansen, Gregor, and Thomas Thiel (eds.). Vetrautes Terrain: Aktuelle Kunst in und über Deutschland.
Karlsruhe: ZKM, Museum für Neue Kunst, 2008.
- The Vincent Award 2008. Amsterdam: Stedelijk Museum, 2008. Texts by
Leontine Coelewij and Gijs van Tuyl.
- Maubant, Jean-Louis (ed.). Ambition
d’art. Institut d’art contemporain, Villeurbanne/Lyon. Dijon: Les presses
du réel, 2008.
- Manifesta 7: Index. Milano: Silvana Editoriale, 2008.
- Enwezor, Okwui (ed.). Annual Report:
The 7th Gwangju Biennale. Gwangju:
Gwangju Biennale Foundation, 2008.
- Mesquita, Ivo, and Ana Paula Cohen (eds.). 28a Bienal de São Paulo: Guia / Guide. São Paulo: Fundação Bienal
de São Paulo, 2008. Text by Peter Friedl and Jean-Pierre Rehm.
- Difference, what difference? Berlin: Art Forum, 2008. Text by Daniela Stöppel.
- Unreliable Witness. Glasgow: Tramway, 2008. Exhibition guide.
- Zeitblick. Cologne: DuMont, 2008. Text by Anette Hüsch.
- Documenta 12: Katalog / Catalogue. Cologne: Taschen, 2007. Text by Roger M.
Buergel.
- Buergel, Roger M., and Ruth Noack (eds.). Documenta 12: Bilderbuch. Cologne: Taschen, 2007.
- Reality Crossings: 2. Fotofestival Mannheim,
Ludwigshafen, Heidelberg.
European Photography, no. 82, Autumn–Winter 2007. Includes text by Peter
Friedl.
- Micro-narratives. Belgrade: 48th October Salon, 2007. Text by Roger M. Buergel.
- Shevtsova, Maria. Robert Wilson.
Abingdon/New York: Routledge, 2007.
- Sand, Gabriele (ed.). play station.
Hanover: Sprengel Museum, 2006.
- Enwezor, Okwui (ed.). The Unhomely:
Phantom Scenes in Global Society. Seville: 2nd International Biennial of Contemporary
Art, 2006.
- Heinzelmann, Markus (ed.). Personal
Affairs: neue Formen der Intimität. Cologne: DuMont, 2006.
- Biesenbach, Klaus (ed.). Zur
Vorstellung des Terrors: Die RAF-Ausstellung. KW Institute for Contemporary
Art, Berlin. Göttingen: Steidl, 2005.
- Die Regierung: Paradiesische Handlungsräume. Vienna: Secession, 2005. Catalogue, texts by
Roger M. Buergel and Ruth Noack.
- Office Hours: Strukturwandel der Arbeitswelten. RealismusStudio. Berlin: Neue Gesellschaft für
Bildende Kunst, 2005. Catalogue, texts by Roger M. Buergel and Annette
Tietenberg.
- The Invisible Insurrection of a Million Minds:
Twenty Proposals for Imagining the Future. Bilbao: Sala Rekalde, 2005. Catalogue.
- Be what your want but stay where you are. Rotterdam: Witte de With, center for
contemporary art, 2005. Brochure, text by Sophia Prinz.
- Spielräume. Duisburg: Stiftung Wilhelm Lehmbruck Museum– Zentrum Internationaler
Skulptur, 2005. Catalogue, text by Sabine Maria Schmidt.
- Urbane Realitäten: Fokus Istanbul. Martin-Gropius-Bau. Berlin: Künstlerhaus
Bethanien, 2005. Catalogue, text by Christoph Tannert.
- Police. Landesgalerie Linz. Weitra: Bibliothek der Provinz, 2005. Catalogue.
- Hoffmann, Jens, and Joan Jonas (eds). Perform.
London: Thames & Hudson, 2005.
- Kim Sung Won, Vanessa Joan Müller and Nicolaus Schafhausen (eds.). Paralleles Leben. Frankfurt am Main:
Frankfurter Kunstverein, 2005. Catalogue, text by Julia Höner.
- Bauer, Ute Meta (ed.). complex berlin
/ complex berlin. 3. berlin biennale für zeitgenössische kunst / 3rd berlin
biennial for contemporarary art. Cologne: Verlag der Buchhandlung Walther
König, 2004.
- Ficcions documentals. Barcelona: Fundació “la Caixa,” 2004. Catalogue,
text by Jean-Pierre Rehm.
- It is a small world. Altkirch: CRAC Alsace, 2004. Catalogue.
- Niemand ist eine Insel. Gesellschaft für aktuelle Kunst, Bremen. Frankfurt
am Main: Revolver–Archiv für aktuelle Kunst, 2004. Catalogue, text by Annette
Weisser.
- Emslander, Fritz, and Markus Heinzelmann (eds.). Gegen den Strich: Neue Formen der Zeichnung, Staatliche
Kunsthalle Baden-Baden. Nuremberg: Verlag für moderne Kunst, 2004. Catalogue,
texts by Markus Heinzelmann and Gabriele Sand.
- Tannert, Christoph, and Ute Tischler (eds.). Men in Black: Handbuch der kuratorischen Praxis / Men in Black:
Handbook of Curatorial Practice. Frankfurt am Main: Revolver–Archiv für
aktuelle Kunst, 2004. Illustrations by Peter Friedl.
- Hlavajova, Maria, and Jill Winder (eds.). Who if not we should at least try to imagine the future of all this?
Amsterdam: Artimo, 2004.
- How do we want to be governed? (Figure and Ground). Miami: Miami Art Central, 2004. Catalogue, text
by Roger M. Buergel.
- Kunstpreis der Böttcherstrasse in Bremen. Bremen: Kunsthalle Bremen, 2003. Catalogue, text
by Vanessa Joan Müller.
- Kunst_Garten_Kunst. Sprengel Museum, Hanover. Gent and Cologne:
Snoeck, 2003. Catalogue, text by Peter Friedl.
- A respeito de SITUAÇÕES REAIS. São Paulo: Paço das Artes and Exo, 2003.
Catalogue, includes text by Peter Friedl.
- The Squared Circle: Boxing in Contemporary Art. Minneapolis: Walker Art Center, 2003. Catalogue,
text by Olukemi Ilesanmi.
- Schafhausen, Nicolaus, Vanessa Joan Müller, and
Michael Hirsch (eds.). Adorno: Die
Möglichkeit des Unmöglichen / Adorno: The Possibility of the Impossible.
Frankfurter Kunstverein. New York: Lukas & Sternberg, 2003.
- 32nd International Film Festival Rotterdam. Rotterdam, 2003.
- Stange, Raimar. Zurück in die Kunst.
Hamburg: Rogner & Bernhard bei Zweitausendeins, 2003.
- Luckow, Dirk, and Hans-Werner Schmidt (eds.). Malerei ohne Malerei. Museum der bildenden Künste Leipzig. Leipzig:
E.A. Seemann, 2002. Catalogue, text by Roberto Ohrt. Schafhausen, Nicolaus
(ed.). non-places. Frankfurter
Kunstverein. New York: Lucas & Sternberg, Inc., 2002. Catalogue, text by
Vanessa Joan Müller.
- Der globale Komplex / The Global Complex. O.K Centrum für Gegenwartskunst, Linz. Graz:
Grazer Kunstverein, 2002. Catalogue, text by Thomas Mulcaire.
- What? A Tale in Free Images. Bruges: Memlingmuseum, 2002. Catalogue, includes
text by Peter Friedl.
- French Collection. Musée d’art moderne et contemporaine de Genève.
Geneva: Les Cahiers du Fnac #2, 2002. Catalogue.
- Kravagna, Christian (ed.). Das Museum
als Arena: Institutionskritische Texte von KünstlerInnen / The Museum as Arena:
Artists on Institutional Critique. Kunsthaus Bregenz. Cologne: Verlag der
Buchhandlung Walther König, 2001. Includes text by Peter Friedl.
- DEAD. Welfare State International. London: The Roundhouse, 2001. Catalogue, text
by Raimar Stange.
- Ursprung, Philip. “Le medium n’est pas le message: réflexions actuelles sur
le concept ‘art et bâtiment.’” Fiedler, Andreas (eds.). Art et bâtiment. Au cœur des tensions. Bern: Edition Stämpfli,
2001.
- Buergel, Roger M., and Ruth Noack (eds.). Dinge, die wir nicht verstehen / Things we don’t understand.
Generali Foundation Vienna. Dresden: Verlag der Kunst, 2000. Catalogue, texts
by Roger M. Buergel and Ruth Noack.
- Let’s Entertain: Life’s Guilty Pleasures. Minneapolis: Walker Art Center, 2000. Catalogue.
- Game On! New York: Sara Meltzer Gallery, 2000. Catalogue.
- ein/räumen: Arbeiten im Museum. Hamburger Kunsthalle. Ostfildern: Hatje Cantz,
2000. Catalogue.
- Version_2000. Saint-Gervais, Geneva: Centre pour l’image
contemporaine, 2000. Catalogue.
- Dream City. Kunstraum München, Kunstverein München, Museum Villa Stuck, Siemens
Cultural Program. Berlin: Vice Versa, 1999. Catalogue designed by Peter Friedl
and Andreas Pawlik, text by Peter Friedl.
- Rosa für Jungs/Hellblau für Jungen. Berlin: Neue Gesellschaft für Bildende Kunst,
1999. Catalogue.
- Weibel, Peter (ed.). Offene
Handlungsfelder / Open Practices. Austrian Pavilion, 48th Venice Biennale.
Cologne: DuMont, 1999. Catalogue.
- Moving Images: Film—Reflexion in der Kunst. Galerie für Zeitgenössische Kunst: Leipzig, 1999.
Catalogue.
- Trescher, Stephan. Light Boxes. Leuchtkastenkunst. Nuremberg: Verlag für
moderne Kunst, 1999.
- German Open: Gegenwartskunst in Deutschland /
Contemporary Art in Germany.
Kunstmuseum Wolfsburg. Ostfildern-Ruit: Hatje Cantz, 1999. Catalogue, text by
Raimar Stange.
- Mittersteiner, Reinhard, and Brigitte Kepplinger (eds.). Glühendrot, Krisenbleich: Zeitmontagen zu
Arbeit und Kultur der Industrieregion Steyr. Steyr: Museum Industrielle
Arbeitswelt, 1998.
- Cet été là… Expositions de variétés. Sète: Centre Régional d’Art Contemporain
Languedoc-Roussillon, 1998. Catalogue.
- Griese, Horst, and Eva Schmidt (eds.). Do
All Oceans Have Walls? Bremen: Gesellschaft für Aktuelle Kunst,
KünstlerHaus, 1998. Catalogue.
- Campitelli, Maria (ed.). Transformation.
Trieste: Teatro Miela, 1998. Catalogue.
- 15. Kasseler Dokumentarfilm- und Videofest. Kassel: Filmladen Kassel e. V., 1998.
- Balkenhol, Bernhard, and Heiner Georgsdorf (eds.). x mal documenta X. Kassel, 1998.
- Zeitskulptur. Linz: Landesgalerie am Oberösterreichischen Landesmuseum, 1997.
Catalogue.
- Politics / Poetics: Das Buch zur documenta. Ostfildern: Hatje Cantz, 1997.
- documenta X, Short guide / Kurzführer. Osfildern: Hatje Cantz, 1997. Texts by Catherine
David and Paul Sztulman.
- Sgroi, Massimo (ed.). Gamblers, CD.
Caserta: Media Arte, 1997.
- Herausgeber Kunstraum Wien. Vienna: Triton, 1996.
- Das doppelte Kleid. Schloss Ottenstein. Vienna: Löcker, 1996. Texts
by Gerda Buxbaum, Susanne Neuburger, Walter Pamminger, Anne-Katrin Rossberg,
and Catherina Zakravsky.
- Natura Naturans. Torino: Lindau, 1996. Catalogue, text by Maria Campitelli.
- Nuova Scena. Milano: Editoriale Giorgio Mondadori, 1995. Texts by Luca Beatrice,
Cristina Perrella, and Guido Costa.
- The Spring Project. Vienna: Österreichische Galerie/G. Ambrosi
Museum, 1995. Video documentation and texts by Doris Guth, Peter Kogler,
Matthias Michalka, Frank Perrin, Matta Wagnest, et al.
- My Car Is Black, And Yours Is White. Brno: KRIC, 1994. Catalogue.
- Rien à signaler. Geneva: Galerie Analix, 1994. Catalogue.
- Positionen. Steyr: Museum Industrielle Arbeitswelt, Kunstforum Hallein, 1994.
Catalogue.
- Zelle/Schwarz auf Weiß. Vienna: Galerie Theuretzbacher, 1994. Catalogue.
- Double Density. Milano: Art Studio Edizioni, 1994. Catalogue, text by Guido Costa.
- Kunst im Congress Centrum Hamburg: Eine
öffentliche Sammlung der Gegenwartskunst. Hamburg: Congress Centrum, 1989. Catalogue.
- Destini incrociati…. Torino: Castello di Rivara, 1986. Catalogue.
- “The Sting of Change.” To bee or not
to be. Moss: Punkt ø/Galleri F 15, 2016, pp. 21–27. Catalogue.
- “Images at War.” Peep-Hole Sheet,
no. 26, fall 2015. Milan: Mousse Publishing, 2015.
- “Per un’altra modernità / A
different strain of modern.” Domus,
no. 985, November 2014, pp. 33–35.
- “History in the Making.” Artitude, no. 33, June 2012, pp. 46–55.
- “The Purloined Philosopher.” Everything
is in Everything: Jacques Rancière, Between Intellectual Emancipation and
Aesthetic Education. Pasadena: Art Center Graduate Press, 2011, pp. 49–63.
- “Des pierres pour l’Amérique.” Vacarme,
no. 50, Winter 2010, pp. 51–54.
- Die heimliche Moderne: Ausgewählte Texte und
Interviews 1981–2009. Edited by
Anselm Franke. Berlin: Sternberg Press, 2010.
- Secret Modernity: Selected Writings and Interviews
1981–2009. Edited by Anselm
Franke. Berlin: Sternberg Press, 2010.
- “Maurice Maeterlinck.” Etcetera,
no. 121, April 2010, pp. 26–27.
- “Die heimliche Moderne.” Springerin,
vol. XVI, no. 3, 2010, pp. 37–43.
- “History in the Making.” E-flux
journal, no. 18, September 2010, http://www.e-flux.com/journal/view/161
- La modernità segreta. Milan: Kaleidoscope, 2010.
- “Steine für Amerika.” Springerin,
vol. XV, no. 1, 2009, pp. 46–49.
- “One World / Jeden świat.” Muzeum,
no. 7, 2009, pp. 13–14.
- “Steine für Amerika / Stones for America.” Gagarin, no. 17, 2008, pp. 4–19.
- “Avenida Glauber Rocha.” Springerin, vol. XI, no. 3, 2005, pp.
38–41.
- “Four or Five Roses.” Multitudes,
no. 17, June 2004.
- “Out of the Shadows.” Metropolis M,
no. 5, 2004, pp. 32–43.
- OUT OF THE SHADOWS. Witte de With, center for contemporary art,
Rotterdam 2004. Exhibition poster with text by Peter Friedl.
- “Hanover House.” Kunst_Garten_Kunst.
Sprengel Museum Hanover. Gent and Cologne: Snoeck, 2003. Catalogue.
- “One World.” Trouble #3,
Spring–Summer 2003, pp. 40–47.
- “King Kong em Triomf.” A respeito de
SITUAÇÕES REAIS, São Paulo: Paço das Artes and Exo, 2003, pp. 34–39.
Catalogue.
- “One World: Internationaal museumbeleid.” Metropolis M, no. 3, June–July 2003, p. 46–47.
- “One World.” Be Magazin, no. 9, 2003, pp. 6–19.
- “King Kong in Triomf.” Peter Friedl.
Casino Luxembourg–Forum d’art contemporain, Luxembourg; Gesellschaft für
Aktuelle Kunst, Bremen; Institute for Contemporary Art, Cape Town. Frankfurt am
Main: Revolver–Archiv für Aktuelle Kunst, 2001, pp. 165–74; reprinted in What? A Tale in Free Images. Bruges:
Memlingmuseum, 2002, pp. 24–28. Reprinted in Diserens, Corinne (ed.). Appropriated Landscapes. Contemporary
African Photography from The Walther Collection. The Walther Collection,
Neu-Ulm. Göttingen: Steidl, 2011.
- “The Curse of the Iguana: On Genre and Power.” Umelec, no. 2, 2000, pp. 90–98.
- T.A.Z. Be Magazin, no. 6, 2000, pp. 34–35.
- “The Curse of the Iguana: On Genre and Power.” From #3, Witte de With, center for contemporary art, Rotterdam,
December 2000, pp. 6–17.
- “Monologues.” From #3, Witte de
With, center for contemporary art, Rotterdam, December 2000, pp. 60–65.
- Der Fluch des Leguans: Über Genre und Macht. Stuttgart: Revolver–Archiv für aktuelle Kunst,
2000.
- “Dream City.” Dream City.
Kunstraum München, Kunstverein München, Museum Villa Stuck, Siemens Cultural
Program. Berlin: Vice Versa, 1999, pp. 191–93, 266–68; reprinted in Kravagna,
Christian (ed.), Das Museum als Arena:
Institutionskritische Texte von KünstlerInnen / The Museum as Arena: Artists on
Institutional Critique. Kunsthaus Bregenz. Cologne: Verlag der Buchhandlung
Walther König, 2001
- “Nichts zum Mitnehmen.” Profil,
no. 34, 1999, p. 9.
- “Sommer ’97.” Balkenhol, Bernhard, and Heiner Georgsdorf (eds.), x mal documenta X. Kassel:
Kunsthochschule der Universität Gesamthochschule, 1998, p. 181.
- “Alighiero Boetti: Museum Moderner Kunst, Stiftung Ludwig, Wien.” Springer, vol. III, no. 1, 1997, pp.
75–76.
- “Ein Nachruf auf Martin Kippenberger.” Springer,
vol. III, no. 2, 1997, p. 64.
- “Wolfgang Pohrt: Brothers in Crime.” Springer,
vol. III, no. 3, 1997, p. 85.
- “Hotel Mama.” Herausgeber Kunstraum
Wien, Vienna, 1996, p. 56.
- “Team Compendium: Selbstorganisation im Bereich Kunst.” Springer, vol. II, no. 2, 1996.
- “Kunst und Macht im Europa der Diktatoren, 1930–1945: Deutsches
Historisches Museum Berlin.” Springer,
vol. II, no. 3, 1996, pp. 69–70.
- “Team Compendium: Selbstorganisation im Bereich Kunst.” Zitty, no. 18, 1996, p. 66.
- “Born to Raise.” Peter Friedl.
Milano: Art Studio Edizioni, 1993, pp. 17–19.
- “Beuys vergessen: Basler Statement.” Harlan, Volker, and Dieter Koepplin
(eds.). Joseph-Beuys-Tagung. Basel,
1991, pp. 145–50.
- “Die Quellen des Entsetzens: Neuausgabe der frühen Stücke von Maurice
Maeterlinck.” Nürnberger Nachrichten,
3 February 1984.
- “Befreiung vom Historismus.” Nürnberger
Nachrichten, 10 February 1984.
- “Hermanns Schlacht.” Wiener, May
1984, pp. 90–98; reprinted in Tip:
Berlinmagazin, 29 June–12 July 1984, pp. 83–88.
- “Das große Fest: Hermann Nitsch und die Wiedergeburt der Tragödie.” Die Zeit, no. 31, 27 July 1984.
- “Het grote fest.” Museumsjournaal,
no. 2, 1986, pp. 84–88.
- “Von Sonnenaufgang zu Sonnenaufgang: Peter Friedl über die drei Tage und
Nächte des Orgien-Mysterien-Theaters: Hermann Nitschs Opus magnum.” Theater heute, no. 9, 1984, pp. 38–41.
- “De verscheurde Dionysos: Over Hermann Nitsch.” Hermann Nitsch: Das Orgien-Mysterien-Theater, 1960-1983. Stedelijk
Van Abbemuseum. Eindhoven, 1983, pp. 124–32.
- “Der zerrissene Dionysos: Annäherung an Hermann Nitsch.” Theater heute, no. 9, 1983, pp. 37–44.
- “Der schweigsame Pionier.” Nürnberger
Nachrichten, 6 September 1983.
- “Grenzen überschreiten.” Wiener,
September 1983, pp. 95–96.
- “Endlose Träume: Der erste Teil von Robert Wilsons ‘Civil Wars’ in
Rotterdam.” Nürnberger Nachrichten,
12 September 1983.
- “Euphorische Zukunftsvisionen: Zur Neuausgabe von Texten des holländischen
Autors und Künstlers Theo van Doesburg.” Nürnberger
Nachrichten, 20 October 1983.
- “Mata Hari muss nicht sterben: Robert Wilson inszenierte in Rotterdam einen
Teil von ‘the CIVIL warS’: Die Aufführung, Probeeindrücke und Notizen aus einem
Gespräch mit Wilson.” Theater heute,
no. 11, 1983, pp. 46–48.
- “Der Philosoph als Gärtner: Zu William Warren Bartleys Biographie von
Ludwig Wittgenstein.” Nürnberger
Nachrichten, 25 November 1983.
- “Admiralsjacke und Unterhose.” Theater
heute, no. 11, 1983, p. 64.
- “Aktionismus für den Bücherschrank.” Wiener, November 1983, p. 122.
- “Der letzte Mythos der Philosophiegeschichte.” Wiener, December 1983, p. 86.
- “Das Wort ein innerer Klang: Maurice Maeterlinck‚ ‘Die frühen Stücke’.” Theater heute, no. 12, 1983, p. 62.
- “Drama über die Armee.” Nürnberger
Nachrichten, 27 January 1983.
- “Der vereinnahmte Prophet: Wenn man zum Dichter ernannt wird: Die Texte des
Ernst Herbeck.” Nürnberger Nachrichten,
4 February 1983.
- “Eckermanns Leiden: Martin Walsers ‘In Goethes Hand’ am Wiener
Akademietheater uraufgeführt.” Theater
heute, no. 2, 1983, p. 28.
- “Sanfte Gleichgültigkeit.” Nürnberger
Nachrichten, 18 February 1983.
- “Die Freiheit ist weiblich: Zum Werk der brasilianischen Schriftstellerin
Clarice Lispector.” Nürnberger
Nachrichten, 29 March 1983.
- “Wiener Edel-Boulevard.” Nürnberger
Nachrichten, 21 April 1983.
- “Aus einer Welt der Angst: Zu den frühen Stücken von Maurice Maeterlinck.” Nürnberger Nachrichten, 31 May 1983.
- “Artauds Anfänge.” Theater heute,
no. 7, 1983.
- “Wer sich erinnert, lebt: Eine Theaterreise ins 19. Jahrhundert: Klaus
Michael Grübers ‘Tannhäuser‘ in Florenz.” Theater
heute, no. 8, 1983, pp. 37–38.
- “Café Amérique: Richard Foreman und sein neues Stück.” Theater heute, no. 1, 1982, pp. 40–44.
- “Schauplatz Wien.” Theater heute,
no. 4, 1982, pp. 26–28.
- “Die Vergewaltigung oder ‘Faust’-Zensur(en) in Österreich.” Theater heute, no. 5, 1982, p. 5.
- “Der edle Wilde.” Nürnberger Nachrichten, 17–18 June 1982.
- “Ein spielbares Mischspiel: ‘Der neue Menoza’ von J. M. R. Lenz.” Frankfurter Rundschau, 18 June 1982.
- “Richard Wagners Erlösung: Zur Pariser Uraufführung von Hans Jürgen
Syberbergs ‘Parsifal’-Film.” Theater
heute, no. 7, 1982, pp. 3–7.
- “Neues US-Tanztheater: Lucinda Childs.” Theater
heute, no. 7, 1982, pp. 11–12.
- “Die Feinde der Kunst.” Wiener,
August 1982, pp. 10–12.
- “Sprache der Dinge: Literarisches Pendant zum Kubismus.” Nürnberger Nachrichten, 11 August 1982.
- “Der Körper, er spricht, endlos: Pina Bauschs ‘Walzer’.” Theater heute, no. 8, 1982, pp. 36–39.
- “Die Not gibt den Ort: Fragmentarisches zu Peter Handkes erstem Festspiel.”
Theater heute, no. 9, 1982, pp.
27–30.
- “Die gestohlene Kindheit.” Nürnberger
Nachrichten, 8 November 1982.
- “Studie einer Abhängigkeit.” Nürnberger
Nachrichten, 20 November 1982.
- “Blutiges Theater.” Nürnberger
Nachrichten, 9 October 1981.
- “Lebendiges Museum.” Nürnberger
Nachrichten, 30 October 1981.
- “Keine Himmelfahrt des Arsches: Zur endlichen ‘Welturaufführung’ von Gert
Jonkes Stück in Graz.” Theater heute,
no. 11, pp. 16–17.
- “Diskurs über die Liebe.” Nürnberger
Nachrichten, 16 December 1981.
- INTERVIEWS AND CONVERSATIONS
- Stange, Raimar. “Qualitäts-Sprünge: Interviews von Raimar Stange.” Kunstforum International, vol. 235, August–September
2015, p. 161–62.
- Pinto, Ana Teixeira. “Peter Friedl: The
Diaries.” Mousse, no. 45,
October–November 2014, pp. 218–19.
- Lista, Giovanni. “Le ‘tableau vivant’ comme questionnement.” Ligeia, nos. 117–120, July–December
2012, pp. 82–84.
- “Gespräch mit Anselm Franke.” Peter Friedl, Die heimliche Moderne: Ausgewählte Texte und Interviews 1981–2009.
Berlin: Sternberg Press, 2010, pp. 235–48.
- “A Conversation with Anselm Franke.” Peter Friedl, Secret Modernity: Selected writings and Interviews 1981–2009.
Berlin: Sternberg Press, 2010, pp. 219–31.
- Franke, Anselm. “Part of the Process: Peter Friedl.” Mousse, no. 23, April–May 2010, pp. 50–55.
- “On Pictorial Justice: Confidence is nice but autonomy and control are
better: Peter Friedl in conversation with Gean Moreno.” Art Papers, May–June 2007, pp. 38–45.
- “Peter Friedl: Travail 1964–2006: Entretien avec Gean Moreno.” Semaines, no. 5,
2007, pp. 27–37.
- Rehm, Jean-Pierre. “Une conversation avec Peter Friedl.” Peter Friedl: Travail 1964–2006. Arles:
Editions Analogues, 2007, pp. 65–78.
- Rehm, Jean-Pierre. “A Conversation with Peter Friedl.” Peter Friedl: Work 1964–2006. Barcelona: Museu d’Art Contemporani
de Barcelona, 2006, pp. 65–76.
- Rehm, Jean-Pierre. “Una conversación con Peter Friedl.” Peter Friedl: Obra
1964–2006. Barcelona: Museu d’Art Contemporani de Barcelona, 2006, pp. 65–77.
- “Malentendus en chantier” [Peter Friedl in conversation with Jean-Pierre
Rehm]. Multitudes, no. 17, June 2004,
pp. 183–92.
- “Interview mit Peter Friedl.” Stange, Raimar, Zurück in die Kunst. Hamburg: Rogner & Bernhard bei Zweitausendeins,
2003, pp. 176–82.
- “take a seat” [by Peter Friedl and Isaak Friedl]. Neue Review, no. 1, May 2003, pp. 20–22.
- “Yoko Ono I” [by Peter Friedl and Frank Wagner]. Neue Review, no. 2, July 2003, pp. 2–4.
- “Ich bearbeite bestimmte Lücken zwischen Bild und Text [Peter Friedl in
conversation with Raimar Stange].” Stange, Raimar, SurFaces: Interviews 2001–2002. Frankfurt am Main: Revolver–Archiv
für Aktuelle Kunst, 2002, pp. 26–32.
- Buergel, Roger M. “Ein Gespräch mit Peter Friedl / A Conversation with
Peter Friedl.” Peter Friedl. Casino
Luxembourg–Forum d’art contemporain, Luxembourg; Gesellschaft für Aktuelle
Kunst, Bremen; Institute for Contemporary Art, Cape Town, Revolver–Archiv für
Aktuelle Kunst, Frankfurt am Main 2001, pp. 21–40.
- Nottrot, Ina. “Der Sockel mutiert zur Bildskulptur: Peter Friedl in der
Galerie Erna Hécey.” Luxemburger Wort,
2 November 2000.
- Peter Friedl: Interview [by Marie-Thérèse Champesme]. Brussels: Societé
des Expositions du Palais des Beaux-Arts des Bruxelles, 1998. Exhibition flyer.
- “Peter Friedl [in conversation with Horst Griese and Eva Schmidt].” Griese,
Horst, and Eva Schmidt (eds.), Do All
Oceans Have Walls? Bremen: Gesellschaft für Aktuelle Kunst, KünstlerHaus,
1998, pp. 42–47. Catalogue.
- Reissner, Katja. “Das höllische Eins-zu-Eins: Peter Friedl,
documenta-Künstler.” Der Tagesspiegel,
4 September 1997, p. 39.
- “Der Haacke-Effekt: Ein Gespräch mit Hans Haacke
[interview with Hans Haacke by Peter Friedl and Georg Schöllhammer].” Springer, vol. III, no. 3, 1997, p. 85;
reprinted in Hoormann, Anne, and David Mannstein (ed.), Hans Haacke, Standortkultur: Das Politische und die Kunst. Weimar:
Bauhaus-Universität, 1998, pp. 67–81; also in Widerstände, Kunst, Cultural Studies, Neue Medien: Interviews und
Aufsätze aus der Zeitschrift Springerin 1995–1999. Vienna, Bozen: Folio,
1999, pp. 35–46.
- “Bellamy & Bellamy: The Real State [a conversation with Stefan
Germer].” Peter Friedl, Gillian Wearing,
Lawrence Weiner: City Projects Prague. Prague/London: The British Council
Window Gallery, 1996, pp. 57–62, 69–75. Catalogue.
- Babias, Marius. “Ich wollte Regisseur werden: Interview mit Peter Friedl.” Zitty, no. 8, 1996, pp. 82–83.
- “Auskunft: Ausschnitt aus dem öffentlichen Gespräch, das Marius Babias mit
Peter Friedl am 5. Dezember 1995 im Depot Wien führte / Information: An excerpt
from the public conversation that Marius Babias conducted with Peter Friedl on
December 5, 1995, in the Vienna Depot.” Peter
Friedl presents FRACK. Vienna: Triton, 1996, pp. 49–60.
- “Spirituelle Infiltration: Peter Friedl und Heimo Zobernig im Gespräch mit
Vitus H. Weh / Spiritual Infiltration: Peter Friedl and Heimo Zobernig in an
interview with Vitus H. Weh.”
- Peter Friedl presents FRACK. Vienna: Triton, 1996, pp. 61–75; reprinted in BE
Magazin, no. 4, 1996, pp. 112–16.
- “Interfox [Peter Friedl in conversation with Tyyne Claudia Pollmann].” Peter Friedl presents FRACK. Vienna:
Triton, 1996, pp. 87–102.
- “Fidicinstrasse 5 / 5 Fidicinstrasse [Peter Friedl in conversation with
Olav Westphalen].” Peter Friedl presents
FRACK. Vienna: Triton, 1996, pp. 107–25.
- “Auskunft: Peter Friedl. Ausschnitt aus dem Gespräch, das Marius Babias mit
Peter Friedl am 5.12.1995 im Depot führte.” Herausgeber
Kunstraum Wien, Vienna 1996, p. 59.
- “1 [Peter Friedl in conversation with Christian Kravagna].” Peter Friedl. Academy of Fine Arts,
Prague, 1995, pp. 5–27. Catalogue.
- “2 [Peter Friedl in conversation with Martin Prinzhorn].” Peter Friedl. Academy of Fine Arts,
Prague, 1995, pp. 29–47. Catalogue.
- “Jede Produktion hat ihre Bedingungen: Interview mit Heimo Zobernig.” Springer, vol. I, no. 5–6, November
1995, pp. 145–50.
- Depot/Auskunft: Peter Friedl im Gespräch mit
Marius Babias. Vienna, 5 December
1995. Video, two parts were published in 1996.
- “Peter Friedl im Gespräch mit Martin Karasek.” Rebuild. Galerie Pohlhammer, Steyr, 1992, pp. 5–13. Catalogue.
- Nussbaum, Ingo. “Engel in der Wintermütze: Ein Gespräch.” Kunst und Kirche, no. 4, 1991, pp.
246–49.
- “Peter Friedl im Gespräch mit Isi Siever.” Peter Friedl. Christine König Galerie, Vienna, 1990. Catalogue.
- “Une perception autre: Entretien avec Bob Wilson.” Théâtre public, November–December 1982, pp. 54–59.
- “André Heller, Robert Wilson, Hans Jürgen Syberberg: Drei Gespräche.” Theater heute, annual, 1981, pp. 69–89.